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A Midwestern Runaway Remembers the CCC (with text supports)
Jim Mitchell, who joined the CCC in 1933, recalls how joining the program gave him a sense of purpose and pride, as well as skills. This document includes text supports, including definitions.
Black Hawk Remembers Village Life Along the Mississippi
Black Hawk was a Sauk Indian who lived in a village at the junction of the Rock and Mississippi Rivers in Illinois. After the Louisiana Purchase, Sauk and other tribal leaders signed a treaty that ceded Indian lands east of the Mississippi River to [...]
A Songwriter Recalls the Origins and Impact of an Antiwar Anthem
After serving in the Navy, Joe McDonald moved to Berkeley, California, as the anti-Vietnam War movement was beginning to pick up momentum. He recorded "I-Feel-Like-I'm-Fixin'-to-Die-Rag" under the name "Country Joe and the Fish"; the song gradually [...]
New York
In this painting, George Bellows, a member of the "Ashcan School" of early twentieth-century American artists, depicts the hustle-and-bustle of Union Square, already surrounded by skyscrapers and billboards. The members of the Ashcan School were [...]
Portrait of Abigail Smith Babcock (Mrs. Adam Babcock)
Born in Boston in 1738, John Singleton Copley became America's first major portrait artist. He painted numerous people in both the colonies and London, including the notable patriots John Hancock, Samuel Adams, and John Adams. The subject of this [...]
Anne Green (circa 1720-1775)
Anne Green, one of a small number of women in the colonial printing trade, became publisher of the Maryland Gazette after the death of her husband in 1767. She was later appointed the official printer of documents for the colony of Maryland. This [...]
Joseph Brandt
In 1786, while Gilbert Stuart was in London, the Duke of Northumberland commissioned him to paint this portrait of Joseph Brandt, a Mohawk military leader decorated by the British whose given name was Thayendanegea. As depicted by Stuart, Brandt [...]
Dog Fight Over Trenches
This oil painting was completed in 1935 by artist Horace Pippin, an African-American World War I veteran whose rank was corporal at the time of his discharge in 1918. Pippin wrote about the front-line trenches,"I will say this much, I say no man can [...]
A Ride for Liberty
In 1862, American painter Eastman Johnson (1824-1906) made trips to Union encampments to witness and sketch the war's events. Throughout the war, African-American men, women, and children escaped slavery by fleeing to Union encampments. Union [...]
Representations and Realities of American Women in the War Effort
This slide show presentation examines the role of women in wartime, offering a selection of images that suggest the realities of women workers in the war effort as well as the ways American women were represented in propaganda images of the period. [...]